This issue of Sinais de Cena – Journal of Theatre and Performance Studies aims to take a critical look at the processes of democratic construction in (pre- and post-) revolutionary periods and the role that theatre and performance played in these circumstances. Whether from a global diachronic perspective or in local micro-historical projects, the thematic dossier of Sinais de Cena, III, no. 5, seeks to offer new ways of studying the intersection between theatre, revolution and the construction of democracy.

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