Entremez was ordered to be seized by the Royal Censor's Office in 1783, the year it was published. Only a single copy is known, deposited …
A Ramalheteira da Sécia, Dando Pasto de Escárnio a um Estudante Peralta
Sinais de Cena, Nr. 17
This seventeenth issue includes a text by Christine Zurbach that evaluates precisely a memory show that CENDREV created to remember Mário Barradas – Café Mário. In …
Rotas de Teatro entre Portugal e Brasil
At the port of Lisbon, the theatre company led by Chaby Pinheiro is preparing to cross the Atlantic to Brazilian cities. On the stage of …
Narciso ou o Namorado de Si Mesmo | Narciso ou o Peralta Namorado de Si Mesmo
Narcisse ou l'amant de lui-même was performed for the first time on 18 December 1752 at the Théâtre de la Rue des Fossés de Saint …
Por s'entender bem a letra Homenagem a Stephen Reckert
Stephen Reckert's life and work are a paradigm of doing things well and, at the same time, of living a thoughtful, expansive and totalising life. …
O Amor Médico
Imagens de uma Ausência Modos de (re)conhecimento do teatro através da imagem
The ephemerality of the performing arts, which exist in a here and now of participatory communion, is well expressed in the evocation made by the …
Sinais de Cena, Nr. 16
In this sixteenth issue, the archive highlights the history of the construction of the National Theatre in Porto. In the Thematic Dossier, the relations – …
Teatro e Imagem
The scientific meeting Theatre and Images, which the Centre for Theatre Studies organised on 5 and 6 February 2010, was the first in Portugal dedicated …
Sinais de Cena, Nr. 15
In the fifteenth issue of Sinais de Cena, the statements that justify the Critics Prize that the APCT jury awarded to the International Festival of …
Repertório Teatral na Lisboa Oitocentista (1846-1852)
Continuing the publication of Repertório Teatral na Lisboa Oitocentista, the opening of the Teatro Nacional D. Maria II (April 1846) is taken as the event …
Tragédia da Vingança que Foi Feita Sobre a Morte Del Rei Agaménom (Tragédia de Orestes)
This work is a verse adaptation of Sophocles‘ Electra - the subject of which is also Electra and Orestes’ revenge on Clytemnestra and Aegisthus, Agamemnon's …
Sinais de Cena, Nr. 14
In the fourteenth issue of Sinais de Cena we can highlight several articles, among them the one reproduced in Applied Studies dedicated to the dramaturgy …
Sinais de Cena, Nr. 13
In the thirteenth issue of Sinais de Cena, the magazine maps out the field of Theatre Studies and the performing arts in Portugal in three …
Teatro Português do Século XVI I Tomo III
This volume III of Portuguese Theatre of the 16th Century completes the publication of profane theatre texts by unknown authors. As with the two previous …
Teatro Português do Século XVI I Tomo II
This second volume of 16th Century Portuguese Theatre (Profane Theatre) brings together five texts by unknown author(s). The collection is very eclectic and includes texts …
Teatro Português do Século XVI
The Auto do Caseiro de Alvalade, the Auto dos Escrivães do Pelourinho, the Auto do Escudeiro Surdo, the Auto de Florisbel and the Auto de …
Breve Sumário da História de Deos
This volume appears as the ‘catalogue’ of the Vicente Exhibition, a series of original canvases by Ilda David' embedded in the niches of the walls …
© 2026 Centro de Estudos de Teatro da Faculdade de Letras da ULisboa
Financiado pela FCT, Fundação para a Ciência e a Tecnologia, I.P., sob o financiamento:
UID/00279/2025; https://doi.org/10.54499/UID/00279/2025
Financiado pela União Europeia – NextGenerationEU, sob os financiamentos:
UID/PRR/00279/2025; https://doi.org/10.54499/UID/PRR/00279/2025
UID/PRR2/00279/2025; https://doi.org/10.54499/UID/PRR2/00279/2025
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Ficha do projeto PRR | Ficha do projeto PRR2
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